The Yin and Yang of Self-Compassion: A Creative’s Path to Emotional Resilience

The Yin and Yang of Self-Compassion: A Creative’s Path to Emotional Resilience

For many creatives, the survival instinct is deeply ingrained. The nervous system is shaped by experience, and the brain—ever-adaptive—rewires itself in response. If your early life was marked by emotional neglect, belittlement or invalidation, it is not uncommon to internalise those patterns. Over time, this conditioning weaves itself into your nervous system, influencing how you think, feel and behave—often manifesting as a harsh inner critic or chronic self-doubt.

Why would we treat ourselves this way? Because it is familiar. And the familiar, even when painful, can feel safe.

This is exactly why practising self-compassion is both essential and transformative. It is not about indulgence. It is about re-learning how to relate to yourself from a place of gentleness and strength.

The Nervous System and Self-Compassion

Self-compassion, as defined by Dr Kristen Neff, is simply compassion turned inward. It teaches your nervous system a new way of being—one that soothes rather than shames, supports rather than silences. Whether you’re learning to meet your own needs or offering presence to someone else, these acts of compassion carve out new neural pathways. They create space for healing, for growth, and for change.

But compassion is not only soft. It can also be strong. This is where Dr Neff’s concept of the Yin and Yang of Self-Compassion becomes especially relevant for creatives.

Yin and Yang: Two Sides of the Same Compassionate Coin

When we think of compassion, we often imagine something soothing—gentle words, a soft hand, a quiet presence. This is Yin compassion—nurturing, calm, reflective. But there is also Yang compassion—active, assertive, bold. It protects, provides, and motivates.

A truly compassionate life invites both energies.

The Yin Side of Self-Compassion

Yin is slow, dark, receptive and feminine. It is about "being with"—staying present with yourself or others in a kind, accepting way. Yin compassion offers:

  1. Comfort – Providing emotional warmth and companionship when you or someone else is in distress.

  2. Soothe – Calming the nervous system, easing tension, and allowing the body to settle.

  3. Validate – Naming and affirming feelings without judgment; recognising emotional truth with gentleness.

The Yang Side of Self-Compassion

Yang is active, light, directive and masculine. It steps forward, takes action and sets boundaries. Yang compassion shows up as:

  1. Self-Protection – Saying no to harm, shifting your internal dialogue, standing up for your worth.

  2. Self-Provision – Meeting your needs proactively. This requires awareness, belief in your value and effort to follow through.

  3. Self-Motivation – Encouraging yourself to grow and pursue your dreams with kindness, not criticism. Becoming your own advocate and inner coach.

Compassion in action is not passive. It is participation. It’s the courage to meet yourself where you are and to respond with care.

Practising Self-Compassion: Daily Invitations

To bring both Yin and Yang compassion into daily life, consider these gentle practices:

  • Offer encouragement and celebrate another’s success

  • Listen attentively without judgment

  • Show patience and presence

  • Apologise when you make an error

  • Honour difference and diversity

  • Speak with warmth and respect

  • Practice gratitude

  • Extend kindness spontaneously

  • Forgive when you're ready

  • Let your actions reflect your values

Each of these practices invites the nervous system to soften and stabilise. They build emotional resilience from the inside out.

Compassion is not a destination. It is a way of being—a language your nervous system learns over time. Some days it will feel easier than others. That is okay. What matters is your willingness to begin, again and again.

So wherever you find yourself—navigating grief, healing wounds or simply yearning for more gentleness—remember this:

You are not behind. You are right on time.

The practice is yours. The path is yours. But you never need to walk it alone.

Why Bother With Compassion?

Why Bother With Compassion? A Somatic Invitation for Creatives

Compassion is talked about a lot these days—especially in the wake of the global upheaval caused by COVID-19 and the tender process of returning to ourselves and our lives. But amid the headlines and hashtags, compassion can start to feel like an abstract concept. Something aspirational. A nice idea.

So let’s ask plainly: why bother with compassion?

Especially for creatives—for those of us whose lives depend on attunement, imagination and the courage to keep creating even when things feel uncertain—compassion is not just important. It’s vital. And it's not a luxury or a personality trait. It’s a practice. One that lives in the body as much as in the mind.

What Is Compassion, Really?

Compassion is the recognition of suffering—our own or another’s—and the desire to relieve it. The word itself comes from the Latin compati, meaning “to suffer with.”

It’s not about fixing or pleasing or pretending things are fine. It’s about meeting pain with presence. And it’s about remembering that pain, failure and vulnerability are not signs that something has gone wrong. They’re part of the terrain of being human.

Dr Kristin Neff, a leading voice in the study of self-compassion, breaks it down into three essential elements:

  • Self-kindness rather than harsh self-judgement

  • Common humanity instead of isolation

  • Mindfulness instead of over-identification with thoughts and emotions

This broader definition is especially helpful for creatives, because our inner world is so often our raw material. To turn compassion inward is not to dilute our drive—it is to create the conditions where our creativity can thrive.

Compassion and the Body

Compassion isn’t just an idea. It has a physiological signature. When we feel and offer compassion, our brain activates caregiving centres and releases oxytocin, often called the bonding hormone. Our heart rate slows. Our nervous system begins to shift out of stress mode and into connection. In other words, we feel safer.

When the body feels safe, the creative mind opens. We can take more risks. We can be more honest. We can rest when we need to. We can hear ourselves more clearly.

That’s why cultivating compassion is not indulgent—it’s essential.

Why Self-Compassion Matters for Creatives

We know how to be compassionate with others, at least in theory. But turning that same kindness inward? That’s often harder.

Here are three reasons why it matters:

  1. It models how we treat others. When we practise self-compassion, it becomes easier to extend that same care and decency outward. Our relationships become more grounded in mutual respect.

  2. We have a duty of care—to ourselves. If you have influence over your own choices and mindset, then you hold responsibility for how you care for your inner world. That care changes how you show up, and how others experience you.

  3. It supports your overall well-being. Self-compassion strengthens resilience, supports emotional regulation and deepens relational awareness. When you treat yourself with patience and presence, your body can breathe again. Your nervous system can settle. You are more able to engage meaningfully—with your work, with others and with life itself.

The Benefits of Compassion (Backed by Research)

  • Psychological well-being: Giving to others, even financially, has been shown to create more lasting happiness than spending on ourselves.

  • Longevity: Volunteering and helping others out of concern (not obligation) is linked to longer lives.

  • Physical health: Compassionate living lowers inflammation, reduces depression and strengthens immunity.

  • Relationship depth: Compassionate behaviour—whether noticed or not—deepens connection and improves relationship satisfaction.

So no, compassion isn’t a soft option. It’s a radical one. It changes how we relate to ourselves, how we live and how we create.

A Compassion Practice You Can Remember: CARE

To bring this into daily life, try using the acronym CARE as a somatic check-in when you feel overwhelmed, critical or creatively stuck:

  • C – Connect with your body. Pause. Feel your feet. Place a hand on your heart. Breathe.

  • A – Acknowledge what is present. What are you feeling? Where do you feel it in the body?

  • R – Respond with kindness. Offer yourself one gentle thought or gesture.

  • E – Engage with intention. What do you need right now? What one small act of care can you take?

Let this become a rhythm. A soft returning. A way of meeting yourself again and again with compassion—not just when you feel worthy of it, but especially when you don’t.

You are not behind. You are right on time.

Compassion is not a side note in your creative life. It is the pulse that keeps it alive. Let it guide you—not as a demand, but as a way of being.

Midyear Light: A June Reflection for Creatives

Midyear Light: A June Reflection for Creatives

June arrives not just as a month, but as a threshold. The midpoint of the year, rich with the scent of blooming things and long light, invites us to pause. To breathe. To notice not only what we have survived, but also what we are ready to grow.

For creatives, this moment holds potent possibility. It asks us to reflect on the inner weather of the past six months—the shadows we’ve met, the joy we’ve felt, the dreams that still whisper. June, with its solstice brilliance, can become a sacred checkpoint: not to assess our productivity, but to realign with our purpose.

After years shaped by uncertainty and lockdowns, many of us still carry echoes of fear. Fear of stalling. Fear of beginning. Fear of another season slipping through our hands. But fear, as Judy Blume reminds us, is a gate we must walk through:

"Each of us must confront our own fears, must come face to face with them. How we handle our fears will determine where we go with the rest of our lives. To experience adventure or to be limited by the fear of it." — Judy Blume, American writer of children's, young adult, and adult fiction.

We often forget that fear isn’t asking to be eliminated; it’s asking to be held with presence. Thich Nhat Hanh, the beloved Vietnamese Buddhist monk, offered this gentle perspective:

"Fear keeps us focused on the past or worried about the future. If we can acknowledge our fear, we can realize that right now we are okay." — Thich Nhat Hanh, peace activist and teacher.

To create from this place of presence—in our studios, our journals, our gardens, our conversations—is a radical act of self-trust.

June is not a deadline; it is a dawn. A reawakening. It invites us to tune into our bodies and the bodies of the natural world. What is blooming in you now? What is asking for light?

In the words of Audre Lorde, poet and activist:

"When I dare to be powerful, to use my strength in the service of my vision, then it becomes less and less important whether I am afraid." — Audre Lorde, Black lesbian feminist writer and civil rights activist.

Strength, for creatives, doesn’t always roar. Sometimes it rests. It wanders. It listens deeply. For many who live with chronic illness or disability, creativity is a quiet resilience. Writer and disability rights activist Alice Wong reminds us:

"Access is love. And love is an ongoing act of making space for each other." — Alice Wong, disabled activist and founder of the Disability Visibility Project.

June can be a time to create that space within ourselves: space to recover, to reimagine, to return to the sacred act of making without pressure. Whether you're navigating grief, burnout, or simply the fog of transition, your creative voice matters. Your process, however nonlinear, is valid.

Consider this reflection from Indian-American poet and author Chitra Banerjee Divakaruni:

"Stories have the power to heal. They help us make sense of the world. And sometimes, they give us the courage to change it." — Chitra Banerjee Divakaruni, poet, novelist, and professor.

What story are you ready to begin, or to return to? What fragments of idea or vision need your attention this season?

And action, even in its smallest form, brings life back into motion. Dale Carnegie once wrote:

"Inaction breeds doubt and fear. Action breeds confidence and courage." — Dale Carnegie, American writer and lecturer.

So write the first sentence. Plant the seed. Make the call. Try the thing. You don’t need to know where it will lead—just that it matters.

As we stand in this luminous midpoint, let us gather the gems of wisdom from around us and within us. Let us honor our differences as creative strength. As the Nigerian writer Chimamanda Ngozi Adichie says:

"Our stories matter. Many stories matter. Stories have been used to dispossess and to malign. But stories can also be used to empower, and to humanize." — Chimamanda Ngozi Adichie, author and feminist thinker.

You are not behind. You are right on time.

Six months in, you carry more than you realize—lessons, tenderness, resilience, and a quiet strength shaped by your journey so far. This midpoint is not a measure of how far you’ve fallen behind, but a gentle invitation to trust where you are now.

Let this be your moment to step forward—not with certainty, but with courage. To create without knowing exactly where it will lead. To listen, to begin, to believe in the unseen path ahead.

Because creativity, like the seasons, doesn’t rush. It deepens. And right now, at this turning point of light, you are already becoming what the year has asked of you.

Sharing the Mic - Lydia Flock of FLOCKSTARS Coaching is Redefining How To Train The Voice

I had the pleasure of doing a Q&A with Lydia Flock, the talented and innovative founder of the holistic voice and singing coaching company, FLOCKSTARS.

This dynamic soul is really redefining how the human voice can be trained.

Lydia is a graduate of the Royal Central School of Speech and Drama’s MA in Music Theatre programme where she conducted research on the interactions between voicework and well-being.

Based on her research is her unique method to training the voice - The FLOCK Flow.

Lydia’s method struck me because she addresses the mind-body-voice connection.

She addresses the whole artist.

Her holistic approach is essential for the arts community in the UK, particularly when we consider the additional stress that COVID-19 has placed on artists.

Artists need an empathetic approach.

Lydia’s method, The Flock Flow, is exactly that.

In combining somatic resilience training methods like Organic Intelligence® and cognitive healing methods like mindfulness and meditation with the most current speaking and singing voice pedagogy, Lydia Flock is redefining how to train the voice.

Now to Share the Mic, please enjoy my Q&A with Lydia below.

Transcriptions included after each question.

Q: Tell me about Flockstars Coaching in 60s or less.

A: My mission at Flockstars is to, “use the speaking and singing voice as a vehicle for healing, confidence building, and personal growth”.

Based on my research I conducted on the interactions between voicework and well-being at the Royal Central School of Speech and Drama, I have created my unique approach to training the voice called “The Flock Flow”.

Yes, Flock is my surname, but in the land of the Flock Flow, it stands for Formatting a life you’ll love, Loving thoughts, Open heart, Confident action, Killer results.

The Flock Flow combines voice science with somatic and cognitive healing methods such as mindfulness, meditation, and other speaking voice techniques.

Flockstars offers coaching of singing and voice technique, speech and accents, public speaking, audition prep, and exam prep (UK only).

Everything is currently online due to COVID-19 but usually I offer online lessons in person in London or online via Skype. Either way, we have a lot of fun.

Q: What are 3 things that motivated you to create Flockstars?

A: Failure, curiosity, and dedication.

My feelings of failure began when I was about 17 and I suffered from a vocal injury at a time when I really needed my voice most.

My voice injury created feelings of shame and anxiety around my voice.

Even after I healed from my vocal injury, I took a lot of those feelings of shame and anxiety to my studies and performances.

Eventually, I couldn’t take it anymore and my feelings of failure turned into curiosity.

I was at one of the top musical theatre programs in America but I wasn’t enjoying myself anymore. I needed to figure out why, how did I lose my joy and how can I get it back.

Why wasn’t my voice doing the things I needed it to do?

This is where dedication comes in.

After switching schools and taking the pressure off myself, I realised I could have way more fun and my vocal health could be more consistent.

I decided to go back into training, got my masters and conducted research that became the foundation of The Flock Flow and thus Flockstars was born.

Q: Why do clients come to you?

A: Clients come to me because they want to feel good.

Whether that be in learning how to sing for the first time ever, learning more advanced technique, accents, or preparing for an audition or presentation, my clients want to be confident.

They want to actually enjoy themselves when they present or perform. I know what it is like to not feel confident, to be anxious even. Because of this, I am able to empathise with my clients and create a space where we can leave fight or flight at the door and relish in the “stay and play”.

Q: What are 3 key things you’d like people to know about Flockstars?

A: If you are a “Flockstar” or thinking about working with me and becoming one, know that all my lessons are bespoke.

The Flock Flow is malleable and is applied at a pace that works best for you and in a format that works best for you.

The Flock Flow is great for all ages and any level of experience.

It is particularly great for anxious performers but it is also great for beginners and children who are working to build confidence.

I really straddle the balance between being scientific and unscientific.

Although I am all about the kumbaya, essential oils, yoga mats galore, I am also a huge voice science nerd.

Being paradoxically scientific and unscientific is important for a balanced voice practice, and also really important for achieving a flow state in practice or performance.

I am not about the “master and apprentice” model. I encourage my clients to be curious about their voices. We discover things together.

Q: What are 3 experiences your clients say they’ve had with you that have impacted them immensely?

A: One client said,

Working with someone who directly understands and relates to my insecurities was so helpful…the specific exercises opened up a whole new world of vocal thought for me, showing me that I can have control over what my voice becomes.

Another client came to me thinking they might be tone deaf but they really wanted to sing soprano repertoire.

After working with me, I was able to help them have much greater pitch accuracy and they are actually able to sing those soprano songs that they never thought they could sing before!

Lastly, a client came to me because they had no vocal experience at all but needed to sing something for a big event coming up.

This client came to me hoping to learn how to sing as quickly as possible (and they did) but they also ended up experiencing a big increase in feelings of confidence around singing, themselves and their voice.

Q: Where would you like to take Flockstars in the future?

A: I would love Flockstars to become one of the top holistic vocal coaching studios in London and internationally online.

I am planning to conduct qualitative and quantitative research on my method, The Flock Flow.

A big goal of mine is to present my work at various voice conferences around the world and eventually patent and/or trademark my method.

With all these things considered, I would love Flockstars to reach a wider audience and inspire people to enjoy their voices and feel safe and informed when using them.

Q: How can viewers explore further with you?

A: If you are interested in getting in touch or booking a lesson, please email me at lydia@flockstars.com or visit the website www.flockstars.com.

I would also really welcome any Instagram DMs @flockstarscoaching.

I have a lot of free resources on my website and Instagram, so please do follow along. I would love to hear about your voice journey and voice goals.

__________

I hope you enjoyed this quick Q&A with the budding leader that is Lydia Flock. I really do believe that she is someone with extraordinary promise.

She is a pioneer in her field, redesigning the landscape that is voice work and voice training.

Be sure to follow Flockstars and check out my very own “Sharing the Mic” blog piece about The Creative Genius with Lydia on the Flockstars blog page.